To get alerted for future live design casts & get sneak peeks at new tutorials before anyone else, sign up for the Eyedesyn Newsletter: Ĭheck out my other tutorials at eyedesyn. But, is there really no way to use the Metallic/Roughness workflow in Cinema 4D Arnold 5 and Redshift use the Metallic/Roughness workflow, and now things become simple and easy, since they both can now use the same textures. This was recorded live on the Live Design Stream at /eyedesyn. I’m very excited to be diving into the Redshift world This is the first ever C4D Redshift Material Pack (that we know of) Materials were created by my friend Mark from. This is a very basic gradient lesson that will allow you to create a simple beach ball texture using only one material in CINEMA 4D. Drag the high-poly object into the Option tab’s Source field and set Type to Intensity, for example. Create a beachball material in CINEMA 4D. Enable the Displacement option in the Options tab and define a save path for the texture (we recommend using 32-bit color depth).
#HOW TO MAKE REFLECTANCE MATERIAL CINEMA 4D HOW TO#
In this post, you’ll find how to make the best out of the new feature. This channel allows layered materials which can be used to do more realistic materials such as car paints, human skin, etc. Finally, I'll cover how to add some nice organic imperfections in the texture by utilizing noise in both the Diffusion and Bump channels.Īnd as always, if you have any questions, be sure to post it in the comments section and if you create anything cool using this technique, be sure to share it with me! Thanks for watching!Īs I mentioned in the tutorial, here is the Youtube link for the edited down live stream where I model the gummy bear:Į/tutorials/create-gel-texture-cinema-4d/ Assingn a Bake Material tag to the low-poly object (main menu: Object Manager: Tags Cinema 4D Tags Bake Material). In Cinema 4D R16, We replaced specular and reflection by a new channel called reflectance. In this tutorial I'm going to break down how you can create a gel texture in Cinema 4D and apply it to a gummy bear model! First, I'll go over how to set up your material color using Fresnels and go over the crucial options in the Transparency channel that allow for a nice gel look.
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